If there’s one thing you should know about us, it’s that we love movies, we love food, and we LOVE the Academy Awards! Our Oscar night menu has become our calling card. There’s a couple ways to go when you’re picking out items for your menu: Is it something the characters ate? Is it something you can tie to the film? For instance, Rabbit Dumplings for The Favourite. If you’re trying to figure out clever culinary delights, might we suggest what we’ll be serving (click on the name of the movie to be taken to the recipe). Happy Hosting!
When it comes to choosing a Valentine’s Day activity – whether it’s a date with your loved one or best friend — it’s one time when you need a ringer. To make sure you have the time of your life, Fathom Events is returning Dirty Dancing to the big screen on Sunday, Feb. 10 and Wednesday, Feb. 13.
The crowd-pleasing, music-filled Jennifer Grey and Patrick Swayze classic offers moviegoers not just a sizzling, swooning romance, but a double dose of nostalgia: it’s got the ’80s vibe (released in 1987) while set in the summer of 1963.
To get tickets, go to FathomEvents.com OR we’re giving away FIVE PAIRS right here! To enter to win a pair of tickets, give us a “lift” by liking/following/talking to us on social media (@80sMovieGuide) and mention #DirtyDancing. We’re on Facebook, Instagram and Twitter – take your pick! Winners will be selected and notified Feb. 1. So, get out of the corner and enter now – good luck! UPDATE: We have winners! Katina E., Angela H., Kathy J., @myteatimethoughts, and @joedaboys! Congrats!!
The Lost Boys is being made into a TV show by the CW. Variety’s description sounds pretty much like the 1987 Joel Schumacher film starring Jason Patric, Kiefer Sutherland, Jami Gertz, and the Two Coreys (Feldman, Haim): “It takes place in the seaside town of Santa Carla, home to a beautiful boardwalk, all the cotton candy you can eat, and a secret underworld of vampires. After the sudden death of their father, two brothers move to Santa Carla with their mother, who hopes to start anew in the town where she grew up. But the brothers find themselves drawn deeper and deeper into the seductive world of Santa Carla’s eternally beautiful and youthful undead.”
The project was up for consideration in 2016 with a take from “Veronica Mars'” Rob Thomas. The new pitch came from Shondaland producer/writer Heather Mitchell (“Scandal,” “Grey’s Anatomy”) but Thomas will still be involved, although from a distance as he’s working on the Veronica Mars reboot.
“The Lost Boys” is one of four projects the CW selected to make a pilot episode, all of which come from established properties. The other series are a Jane the Virgin spinoff, a “Riverdale” spinoff, and a Nancy Drew series. After the pilot is complete, the network decides if the series will or will not go forward.
Teen properties from the 1980’s continue to be a fertile ground for TV reboots. “The Lost Boys” joins “Less Than Zero” for Hulu and “Mr. Mom” on Vudu. “Heathers” was made as a series for the Paramount Network but was scrapped after completion because of sensitivities to school shootings. Of course, “Teen Wolf” was a huge hit for MTV. As the world of “content” — network , streaming and digital — gets more and more crowded, networks and platforms are finding it harder to cut through to get noticed, and thus, people to watch. If they find an old, beloved property, they don’t have to then educate a potential viewer what a show is about and then convince them to watch. In other words, most of adult America knows “The Lost Boys” as an edgy teen vampire movie with cool music, so it’s less about convincing them they’ll like the subject matter, it’s more about letting the audience know when to tune in.
Congratulations to our winners! Robert Y. of Torrance, Calif.; Roger F. of Orlando, Fla.; Jim S. of Shadow Hills, Calif.; Andy G. of Plano, Texas; and Eff D. from Cincinnati, Ohio! Now, check out our next giveaway!
Is Die Hard the most action-packed Christmas movie ever made? Or the best summertime blockbuster set during Christmas? We’ve had 30 years to decide, but really, no debate should be final until you see the first cinematic adventure of John McClane (Bruce Willis) swing into Nakatomi Plaza on the big screen. And, ’80s Movie Guide is here to help!
On Sunday, Nov. 11, and Tuesday, Nov. 14, Fathom Events and Turner Classic Movies present Die Hard as part of the TCM Big Screen Classics Series on more than 700 screens nationwide. TCM host Ben Mankiewicz will provide brand new commentary before and after the film to add perspective and insight. Then, you can move on to a new debate: is Hans Gruber the most real life frightening movie villain of all time?
We are giving away 5 pairs of tickets to the screening and location of your choice!! To enter to win, just interact with our social media @80sMovieGuide. You get an entry for every interaction, for example: Follow us (1 entry) and comment (1 entry) on Instagram, Like this Post on Facebook (1 entry), Like Our @80sMoviesGuide page on Facebook, Follow us on Twitter (1 entry), Retweet on Twitter (1 entry)…you get the idea! We will choose our FIVE WINNERS on Nov. 5 – enter now!
On both the 11th and 14th, Die Hard will play at 2 p.m. and 7 p.m. Tickets are available now at www.FathomEvents.com or at participating theater box offices.
We will update the site with the names of the winners. After you enter, watch for us to reach out to you on the morning of the 6th. If we can’t reach the winner, we will choose another winner. Good luck and Yippee-ki-yay!
Pop culture is embracing the ’80s for Halloween this year – both the Today and Good Morning America personalities dressed as iconic ’80s celebrities, movies, and TV shows. But one Hollywood restaurant is stepping up their Halloween game, and it will make your Soul Glo! Fat Sal’s Sandwich Shop is now emblazoned with the Golden Arc’s and has transformed into Coming to America’s McDowell’s restaurant, complete with the noted Scottish tartan uniform and a menu that takes a foodie spin so a certain red-haired clown can’t make any copyright claims.
Items include the Sexual Chocolate shake (chocolate shake, chocolate syrup, chocolate shavings, cherry, whipped cream, and a fat slice of chocolate cake), The Big Mick (hamburger patties, lettuce, pickles, and onions and fries on hero bread), and Zamunda Fries (blackened chicken, cheddar, mozzarella, onions, peppers and habanero aioli). Music from the soundtrack plays on the speakers and a plaque celebrating Akeem, The McDowell’s Employee of the Month, is hanging on the wall. Next door, you’ve got the pop-up Mi-T-Sharp barber shop, of course!
McDowell’s at 1300 Highland (that’s Highland and Fountain) and closes for good at 3 a.m.- if you go, please tweet or Instagram us photos @80sMovieGuide!
Source: The Daily Meal, Sexual Chocolate Shake photo @ReubenMourad, exterior shot @johnnyrobott
Veronica Cartwright says that while filming the huge Houston barbeque scene in The Right Stuff, a booming voice shouted over and over again with a reminder to not eat the steak served on all of the plates. Indeed, in the film, plates and plates of food are shown, and Dennis Quaid and Fred Ward are even seen eating baked beans, but never does anyone take a bite of meat. (The cast and extras didn’t go hungry. Cartwright says after the scene was over, they were each handed a bag of McDonald’s food.)
Cartwright played Betty Grissom, wife of Ward’s astronaut character Gus Grissom, in The Right Stuff. She and Mary Jo Deschanel, who played John Glenn’s wife Annie, discussed the making of the film with Ben Mankiewicz at the 2018 Turner Classic Film Festival.
The Right Stuff tells the story of the beginnings of the U.S. space program through the eyes of the astronauts that risked it all to go into space and their wives.
The two credited writer-director Philip Kaufmann for creating an environment where the actresses playing the wives could bond, and therefore, quickly create the familiarity that developed over time amongst the wives of America’s first astronauts. “They stuck us in honey wagons. I [shared] with Pamela Reed,” says Cartwright. “We had big dresses so one person would have to stand on the toilet to get dressed, it was so small!”
Deschanel adds, “Phil told me, ‘I think the women are much more fascinating characters.’ And, he set up an atmosphere that supported the women.”
Both actresses were unable to meet their real-life counterparts. Gus Grissom’s portrayal in The Right Stuff is based on the scandal that unfolded but the portrayal is ultimately unfair, leaving the audience to question if Gus Grissom did indeed “blow the hatch” of the Liberty Bell 7 capsule after splashdown (this accusation had been debunked long before the film was made). Therefore, Betty Grissom was not supportive of the film. As for the Annie Glenn, John Glenn was running for president of the United States during the production of The Right Stuff, and Deschanel says the Glenns “didn’t want to have anything to do with the film.”
The actresses were still able to research their roles as Kaufmann provided each of the actors “huge packets of film footage” of the real people they would be portraying. One thing Cartwright saw in the footage stuck in her mind as a key to understanding Betty Grissom: her unusual straw purse she carried to a ceremony where she believed she was going to meet First Lady Jackie Kennedy. “I had to find that bag!” says Cartwright, “It said so much about her!”
Another fond memory the actresses shared was of the actors playing the press. Unlike in the film, the actors playing the reporters enhanced – not hounded – the lives of “the wives.” “The ‘press corps’ were all part of a theater company [San Francisco’s improv comedy troupe Fratelli Bologna],” says Cartwright. “They would sing and always be entertaining for us! It was a fun atmosphere.”
The actresses took the note. Deschanel and Cartwright say by movie’s end, “the wives” had become a clique and spent time together outside of their shooting days. The women choreographed a song and dance number that they performed at the wrap party.
This year marks the 35th Anniversary of the release of The Right Stuff. This article was written the day it was announced that Tom Wolfe, the author of the novel in which the film is based on, passed away.
Amy Schumer’s I Feel Pretty is a lot of things: an extremely relatable physical comedy, a statement on what society has done to women’s body image, and a demonstration of the power of self-confidence. And, it’s an unofficial sequel to Big.
It’s about a woman who is self-conscious about what she perceives to be her lack of beauty in today’s world. After watching the Tom Hanks ‘80s classic Big on a rainy night, she goes to a fountain and makes a wish to be beautiful. The next day, she suffers a blow to the head and wakes up seeing herself as beautiful, even though she looks exactly the same. What transpires is a display of off the charts self-confidence; the audience witnesses how her life changes just because she believes she is gorgeous by society’s standards. (See my What the Flick?! review below:)
Of course, the messaging is totally different than in Big, which is a gentle nudge that kids shouldn’t be in such a hurry to grow up and adults should hold on to their childhood.
Big gets the official tip of the hat, but I Feel Pretty is also reminiscent of a broad comedy from 2001: Shallow Hall. In the Farrelly Brothers movie, Jack Black plays a pig who dates women only based on their appearance. Then, Tony Robbins (!) hypnotizes him into seeing women’s outer appearance as a reflection of their inner beauty – and falls in love with a 300-lb. woman. When Hal’s “vision” returns to normal, he realizes that it’s who we are that counts, not what we look like. So, similar but still, a very, very different message geared to men, where I Feel Pretty deals with what it’s like to be a woman.
More gender or ethnicity-flipping ‘80s reboots are on the way: Overboard, Splash, and Dirty Rotten Scoundrels. Of course, Ghostbusters set the trend.
Personally, I dislike the idea of remaking movies that are still relevant and a part of pop culture. However, by switching roles, it can freshen up an old property while paying homage to it – like the recent Jumanji redo. If it makes audiences interested in watching the classic, then, let’s celebrate it. What films would you like to see reimagined with some sort of role reversal?
80s Movie Guide is a site that celebrates what is wonderful about ’80s movies, while also pointing out how very, very messed up the messaging was to its target teen audience. Today, ’80s teen movie icon Molly Ringwald wrote a thoughtful, well-researched article for The New Yorker examining the films she made with John Hughes from both the movie-making experience and the final product. The article should be an eye-opener to everyone, except maybe us here at 80sMovieGuide.com. We created this site and its accompanying podcast ’80s Movies: A Guide to What’s Wrong with Your Parents with this notion in mind.
The very fact that the movie genre that defines the ’80s is the teen sex comedy should be unnerving. The good news is, we’ve come a long way. The bad news is that when we look at men (particularly in their 40s and older) and wonder why they think it’s okay to sexually harass, assault, mistreat or manipulate women, all we have to do is look at movies of the 1980s. The “boys will be boys” angle is played in nearly every film. Even in Pretty in Pink, best friend and nonthreatening Duckie makes a lewd comment to some girls at school about how he could impregnate them by Christmas. Oh, isn’t that so funny? No, that’s the kind of nonsense even 15-year old girls have to endure…and that behavior was perpetuated by films encouraging boys that it’s not only acceptable, it’s HILARIOUS. Of course, it gets worse.
Ringwald realizes points out that in Sixteen Candles, dreamy boyfriend Jake Ryan trades his long-term girlfriend Caroline (played by Haviland Morris) for a pair of Samantha’s underwear. Caroline is so drunk, she can’t tell what’s real. Her boyfriend, whom she trusts, gets rid of her by giving her to The Geek and having him “driver her home;” The Geek is a freshman who has been drinking alcohol and does not have his driver’s license…and does not get Caroline home. Instead, he rapes her in a grocery store parking lot while she is unconscious.
Ringwald recently spoke with Morris to get her opinion on the scene. The fact that Morris initially felt that Caroline was complicit in her own rape by getting drunk shows how much these films have affected women’s perspectives as well. I’d point out that Caroline got blitzed believing she was in a safe place – she was at her steady boyfriend’s home, at a party she was co-hosting. If we’re all being honest and facing the reality of underage drinking, we’d recognize that most minors are unlikely to know how much alcohol is too much and if there was a place to feel you could let go, it would be at your own party in the care of the person who supposedly loves you.
As the #MeToo movement is underway and we as a society try to evaluate what is and isn’t okay, just keep in mind that women received all of these mixed messages, too. Some women have spoken out to condone sexual misconduct by blaming the victim. Look again at ’80s movies, where audiences were shown that women’s primary value was as a sexual conquest. It’s “good” (virginal) girls vs “bad” (“slutty”) girls – that’s who we are to men. A hot, sexually aggressive girl is a man’s fantasy. If they trick her into having sex (i.e., Revenge of the Nerds), that’s depicted as funny — ha ha, jokes on YOU! With messages bombarding teen brains in our most formative years of self-identification, it’s no surprise that ’80s teens didn’t stand a chance.
At the same time, ’80s films were incredibly empowering to teens because they validated us. Going to the prom is important. Living our own lives outside of school is important. Taking the time to figure out who we are versus who society wants us to be was and is always relevant. Ringwald nails the complexity of the subject: for all the empowerment Hughes and ’80s filmmakers and studios (who were almost always men) gave Generation X by giving us the spotlight, they did equal amounts damage by marginalizing and sexually objectifying women.
So, as you watch ’80s movies…and you should because they are amazing…just keep an active mind, because the movies feel so right but the messages are so, so wrong.