Ghostbusters is one of the most beloved films of the ’80s. It’s a horror-comedy classic that had all audiences running to see it in theaters — especially kids. In fact, the film helped create the model for how to make and capitalize on a blockbuster, fueling bigger merchandising profits with a toy line. The film gave children cute quotable lines, such as “We came, we saw, we kicked it’s ass!” What else were kids picking up from this beloved, adored film about paranormal exterminators? In this episode of the ’80s Movies: A Guide to What’s Wrong with Your Parents podcast, ’80s Movie Guide founders Tara McNamara, Gen X, and Riley Roberts, Gen Z, identify and discuss the surprising, unintentional messages being delivered to ’80s youth. Also on iTunes and Stitcher.
Color us black and white – it’s almost Halloween! It’s this time of year when parents think of sharing with their kids the one ’80s horror comedy that seems appropriate – Beetlejuice! And, in the ’80s, the Tim Burton classic was considered a children’s film with special effects makeup and monster creations all wrapped up in a wacky comedy. (Doubt it was considered a kids film? There was an cartoon series spinoff featuring our lovable demon and young teen Lydia adventuring around the Netherworld.)
The film is a bit problematic in regard to kids and teens. On this episode of our podcast ’80s Movies: A Guide to What’s Wrong with Your Parents (listen here or on Stitcher, iTunes, and BlogTalkRadio), movie critics Tara McNamara (Gen X) and Riley Roberts (Gen Z) explore how this beloved Michael Keaton film poked fun at suicide at a time when it was at an all-time high for teens. The two also examine how it holds up in today’s environment.
It's the 30th Anniversary of Say Anything, the film that truly launched Cameron Crowe as a filmmaker (yes, he'd written Fast Times at Ridgemont High and made The Wild Life, but was nowhere near the household name he'd become). Crowe proved himself to be the only true rival to John Hughes when creating teen films drenched in authenticity. The one element of the film that steps outside of that is the one the script mandate coming from the higher ups - an issue that reflected the times but sent '80s kids a message that hammered in what they were already being taught: Don't. Trust. Parents.
In this episode of '80s Movies: A Guide to What's Wrong with Your Parents, co-hosts Tara McNamara (Gen X) and Riley Roberts (Gen Z) discuss how the John Cusack classic holds up today, how it reflects the teen experience then and now, and that one sticky issue. Listen above or listen/subscribe on iTunes, Stitcher, and BlogTalk Radio.
We share a mission with Ted Logan and Bill Preston, Esq. Cinema’s favorite air-guitaring airheads know that to move forward most righteously, you’ve got to travel back in time to understand history. And, that’s exactly what we do in the ’80s Movies: A Guide to What’s Wrong with Our Parents podcast. In this episode, we look back at why Bill and Ted’s Excellent Adventure, a “dumb” comedy about two guys who appear to be stoners, turned out to be most triumphant and how it does and doesn’t hold up today.
Take a listen (also available on iTunes and Stitcher) and share your thoughts on this 30-year old Keanu Reeves-Alex Winter classic. Also, get ready to Face the Music with the third film by checking out the Bill and Ted’s Excellent Adventure guide page.
With Missouri, Alabama, and other states banning abortion, Dirty Dancing has never been more important or more relevant. Made in 1987, Roe Vs. Wade was decided law and women had won the battle to control their own reproductive rights. However, screenwriter Eleanor Bergstein felt a time might come when Americans needed a reminder of why the law was passed.
Dirty Dancing is a fun, coming-of-age, dance movie with a plot that hinges completely on obtaining an illegal abortion. Viewers are reminded of why abortion is the only means of survival for some women who, in desperation, will put themselves at risk to end their pregnancy. In our podcast, mother-daughter movie critics Tara McNamara (Gen X) and Riley Roberts (Gen Z) examine the film through a modern lens, looking at the abortion plotline as well as why the uncomfortable age difference between Baby and Johnny played well with young, female audiences.
And, for more details on the history of Dirty Dancing and Bergstein’s clever strategizing of how she could relay a story about the importance of giving women agency over their own bodies and decisions, go to our Dirty Dancing page here: https://80smovieguide.com/dirty-dancing/
The Breakfast Club is the face of the ’80s Movies – the classic gave teens a voice, showed their box office power, and cemented John Hughes as the decade’s most influential director.
This weekend marks the 35th Anniversary of Claire, Allison, John Bender, Andrew, and Brian’s Saturday detention (“March 24, 1984, Shermer High School, Shermer, Illinois….”)
The movie made an impact in the entertainment industry, in Hollywood history, and most certainly, on ’80s teens who absorbed a whole lot of negative messaging. From blaming their parents for all their problems to John Bender’s abusive and sexually harassing behavior of Claire that ends in his getting the girl, ’80s Movie Guide’s Tara McNamara (Gen X) and Riley Roberts (Gen Z) break down how The Breakfast Club may be the ’80s most influential film in all the wrong ways on our ’80s Movies: A Guide to What’s Wrong with Your Parents podcast. Take a listen and give us your take in the comments below.